Criticism of Woolf is often polarised into viewing her work as either fundamentally progressive or reactionary. In this 2007 book, Steve Ellis argues that her commitment to anxiety about modernity coexists with a nostalgia and respect for aspects of Victorian culture threatened by radical social change. Ellis tracks Woolf's response to the Victorian era through her fiction and other writings, arguing that Woolf can be seen as more 'Post-Victorian' than 'modernist'. He explains how Woolf's emphasis on continuity and reconciliation related to twentieth-century debates about Victorian values, and he analyses her response to the First World War as the major threat to that continuity. This detailed and original investigation of the range of Woolf's writing attends to questions of cultural and political history and fictional structure, imagery and diction. It proposes a fresh reading of Woolf's thinking about the relationships between the past, present and future.

This book, first published in 1991, supplies a neglected cultural context for T. S. Eliot's writings of the 1930s and 1940s, particularly Four Quartets, and attempts to disprove the widespread belief in Eliot's unproblematic commitment to England, and the 'Englishness'. The book traces Eliot's classicism not only in linguistic and formalist terms but also in his construction of England in the Quartets and Quartets-related essays. His practice is related to the vigorous polemic concerning the definition of England found in the 1930s and 1940s, in material as diverse as landscape painting, advertising, travel literature and the detective novel. This original and provocative text will not only be of interest to students and teachers of Eliot, but to those interested in representations of nationality.

This book, first published in 1991, supplies a neglected cultural context for T. S. Eliot's writings of the 1930s and 1940s, particularly Four Quartets, and attempts to disprove the widespread belief in Eliot's unproblematic commitment to England, and the 'Englishness'. The book traces Eliot's classicism not only in linguistic and formalist terms but also in his construction of England in the Quartets and Quartets-related essays. His practice is related to the vigorous polemic concerning the definition of England found in the 1930s and 1940s, in material as diverse as landscape painting, advertising, travel literature and the detective novel. This original and provocative text will not only be of interest to students and teachers of Eliot, but to those interested in representations of nationality.

This new addition to the Longman Critical Readers Series provides an overview of the various ways in which modern critical theory has influenced Chaucer Studies over the last fifteen years. There is still a sense in the academic world, and in the wider literary community, that Medieval Studies are generally impervious to many of the questions that modern theory asks, and that it concerns itself only with traditional philological and historical issues. On the contrary, this book shows how Chaucer, specifically the Canterbury Tales, has been radically and excitingly 'opened up' by feminist, Lacanian, Bakhtinian, deconstructive, semiotic and anthropological theories to name but a few. The book provides an introduction to these new developments by anthologising some of the most important work in the field, including excerpts from book-length works, as well as articles from leading and innovative journals. The introduction to the volume examines in some detail the relation between the individual strengths of each of the above approaches and the ways in which a 'postmodernist' Chaucer is seen as reflecting them all. This convenient single volume collection of key critical analyses of Chaucer, which includes work from some journals and studies that are not always easily available, will be indispensable to students of Medieval Studies, Medieval Literature and Chaucer, as well as to general readers who seek to widen their understanding of the forces behind Chaucer's writing.

This new addition to the Longman Critical Readers Series provides an overview of the various ways in which modern critical theory has influenced Chaucer Studies over the last fifteen years. There is still a sense in the academic world, and in the wider literary community, that Medieval Studies are generally impervious to many of the questions that modern theory asks, and that it concerns itself only with traditional philological and historical issues. On the contrary, this book shows how Chaucer, specifically the Canterbury Tales, has been radically and excitingly 'opened up' by feminist, Lacanian, Bakhtinian, deconstructive, semiotic and anthropological theories to name but a few. The book provides an introduction to these new developments by anthologising some of the most important work in the field, including excerpts from book-length works, as well as articles from leading and innovative journals. The introduction to the volume examines in some detail the relation between the individual strengths of each of the above approaches and the ways in which a 'postmodernist' Chaucer is seen as reflecting them all. This convenient single volume collection of key critical analyses of Chaucer, which includes work from some journals and studies that are not always easily available, will be indispensable to students of Medieval Studies, Medieval Literature and Chaucer, as well as to general readers who seek to widen their understanding of the forces behind Chaucer's writing.

This important text offers a balanced coverage of an area of major human and environmental significance. Lying at the interface of the geosphere, hydrosphere, biosphere and atmosphere, soils are of major importance to an understanding of both natural environmental processes and thoses affected by human activity.
Soils and Environment examines the ways in which soils both influence, and are influenced by, the environment. assuming only a basic scientific knowledge, the book analyses the constituents and properties of soils, and the processes and pathways of soil formation within the context of environmental change. examining soils as components of natural environmental systems, this book offers an understanding of soil-human interactions in landuse systems, environmental problems and landuse management, and soil survey and land evaluation.

This book considers the literary construction of what E. M. Forster calls 'the 1939 State', namely the anticipation of the Second World War between the Munich crisis of 1938 and the end of the Phoney War in the spring of 1940. Steve Ellis investigates not only myriad responses to the imminent war but also various peace aims and plans for post-war reconstruction outlined by such writers as T. S. Eliot, H. G. Wells, J. B. Priestley, George Orwell, E. M. Forster and Leonard and Virginia Woolf. He argues that the work of these writers is illuminated by the anxious tenor of this period. The result is a novel study of the 'long 1939', which transforms readers' understanding of the literary history of the eve-of-war era.

Criticism of Woolf is often polarised into viewing her work as either fundamentally progressive or reactionary. In this 2007 book, Steve Ellis argues that her commitment to anxiety about modernity coexists with a nostalgia and respect for aspects of Victorian culture threatened by radical social change. Ellis tracks Woolf's response to the Victorian era through her fiction and other writings, arguing that Woolf can be seen as more 'Post-Victorian' than 'modernist'. He explains how Woolf's emphasis on continuity and reconciliation related to twentieth-century debates about Victorian values, and he analyses her response to the First World War as the major threat to that continuity. This detailed and original investigation of the range of Woolf's writing attends to questions of cultural and political history and fictional structure, imagery and diction. It proposes a fresh reading of Woolf's thinking about the relationships between the past, present and future.

This book is a history of the influence of Dante on English poetry. The focus us not primarily upon stylistic influences or attempts to imitate Dante's manner of writing, but rather on the different guises in which the enormous presence of Dante has made itself felt, and how that presence has affected some of the central concerns of the poets in question. The poets considered are Shelley, Byron, Browning, Rossetti, Yeats, Pound and Eliot. In addition to analysing the way Dante is approached by these poets in their major poetry, Dr Ellis also discusses relevant critical works: Shelley's Defence of Poetry, Pound's The Spirit of Romance and Yeats' A Vision. The critical survey is unified by the attempt to show certain recurrent preoccupations in the work of these writers, such as the need to define a tradition in which Dante is a necessary forerunner. Ellis also shows that Dante has been read in a very partial way by these poets and the images of him which emerge in their works are inevitably varied and contradictory.

This study of Geoffrey Chaucer addresses both recent theoretical approaches to his work, as well as various popular tropes - 'Father of English Poetry', poet of 'Merrie England' - that have enshrined his status within a nationalist ideology. Feminist criticism and the work of Bakhtin receive particular attention as two of the most prominent concerns in recent Chaucer studies, and new readings that reconsider the political and social context of his writings are also discussed. Full allowance is paid to his Chaucer's pre-Tales works, alongside the Canterbury Tales themselves.

The narrator of The Bromsgrove Business, beset by hapless marital and familial relationships, is writing a novel about academic life which is gradually taken over by spirit communicators revealing the solution to the murder of a local cricketer in Bromsgrove in the 1930s... This intriguing mixture of the fantastic with the poignantly plausible will test your powers of deduction and keep you chortling!

Seething with tension in monsoon heat and humidity, Red on Green is a captivating story of love across cultural barriers, corruption, abuse of humanitarian aid and sexual exploitation. British aid worker, Ben Altringham, meets medical student, Ayesha, through her father, Dr Abdur Rahman. He is a kind and highly skilled doctor who volunteers to help people struggling to survive in desperate poverty and squalor. Ayesha and Ben's relationship is a dangerous liaison in the turbulent aftermath of a savage civil conflict on the Indian subcontinent. The war had ended. But recrimination and revenge were rife. Fuelling the danger, Ayesha's closest friend, Khalida, asks for help to escape the clutches of a government minister's son. She was being coerced into a suffocating marriage. Driven by his love for Ayesha, Ben risks his liberty and life in a plot to help Khalida flee the country. The novel is set in Bangladesh, a year after the nine-month civil war in 1971. Unfortunately, the nine-month 'War of Liberation' did not free the population from poverty, disease and natural disasters, nor endemic corruption, nepotism and discrimination. Former 'freedom fighters' took revenge against those accused of being traitors and collaborators during the conflict. Blood continued to flow into the new nation's lush landscape - hence the title, Red on Green.

In the third collection of the hit webcomic THE ONLY LIVING BOY, Erik Farrell finds himself at the mercy of the villainous Doctor Once. But, of course, Doctor Once has NO mercy! Surrounded by strange creatures and sinister experiments, Erik's very life hangs in the balance. Even if he finds the strength to escape the hideous laboratory, Erik won't be able to escape his tragic past, or his destiny. Gallaher and Ellis' daring adventure series about an ordinary boy on an extraordinary planet continues in "Once Upon A Time" - the newest book in the acclaimed Only Living Boy series.

Discover this fresh, pacy, modern translation of an enduring literary classic. Halfway through life, you find yourself lost, unsure of the right path. Greed, deception and pride have led you away from the ideals and dreams you cherished in younger days. How do you go on? This is the starting point of one of the most extraordinary and important journeys in western literature, a stunningly ambitious flight of imagination and philosophy which has reverberated down the years since Dante Alighieri first wrote it down in the fourteenth century. The Divine Comedy is a vision of the afterlife, the three regions of Hell, Purgatory and Paradise, through which the narrator must journey in order to better understand the workings of the universe, the love of God, and his place in the world. Poet and translator Steve Ellis translated the Inferno in 1994, and it was greeted with great acclaim. Now Ellis's translation of the entire poem is published here for the first time, and Dante's epic can be experienced afresh and in new glorious life and colour, the physicality and immediacy of Dante's verse rendered in English as never before. A NEW TRANSLATION BY STEVE ELLIS

From the award-winning team behind THE ONLY LIVING BOY, David Gallaher and Steve Ellis bring you the sequel THE ONLY LIVING GIRL, an action-packed adventure perfect for fans of AMULET, MS. MARVEL, and DC SUPER HERO GIRLS. Zandra 'Zee' Parfitt is one of the last human survivors of a cosmic disaster that merged hundreds of planets into the mysterious patchwork wasteland of Chimerika. After learning that the experiments of her late father, the diabolical Doctor Once, created this world, Zee and her companions - classmate Erik Farrell and mermaid warrior Morgan - embark on a dangerous quest filled with robots, monsters, unknown civilizations, and unlikely allies. Together they push back against the relentless Consortium, who want control of this new world at any cost. Through it all, Zee searches for the truth of her past so she can redeem her father's legacy.

One man. One love. One war. He must leave her to fight. Duty calls. After three years' service in the British Army, Private Samuel Ogden travels to France at the outbreak of World War I in 1914. Fiancee Alice is left in the village, marriage on hold. But Havercake Lad is not a love story. It is a gritty tale of daily life as a rifleman in frontline fighting. Based on official military records, this novel plots many of the war's key characters, events and battles. Samuel Ogden is fiction. But the heroic activities of Havercake Lads, men of the Duke of Wellington's Regiment, 2nd Battalion, are based firmly on fact. Steve Ellis explores the trauma of war, the psychology of soldier-killing and the personal consequences of being constantly surrounded by casualties and corpses.

T. S. Eliot is one of the most celebrated twentieth-century poets and one whose work is practically synonymous with perplexity. Eliot is perceived as extremely challenging due to the multi-lingual references and fragmentation we find in his poetry and his recurring literary allusions to writers including Dante, Shakespeare, Marvell, Baudelaire and Conrad. There is an additional difficulty for today's readers that Eliot probably didn't envisage: the widespread unfamiliarity with the Christian belief and culture that his work becomes increasingly steeped in. Steve Ellis introduces Eliot's work by using his extensive prose writings to illuminate the poetry. As a major critic, as well as poet, Eliot was highly conscious of the challenges his poetry set, of its relation and difference to the work of previous poets, and of the ways in which the activity of reading was problematised by his work, so by taking his prose as a starting point helps to clarify his poetic writing. The guide also offers an overview of key critical debates concerning Eliot's work.